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a virtuosic performance, sexy staging, and a queer rewriting

  • Written by Huw Griffiths, Associate Professor of English Literature, University of Sydney
a virtuosic performance, sexy staging, and a queer rewritingDaniel Boud/Sydney Theatre Compnay

The figure of Dracula has always lived somewhere between the written word, screen projections and our fantasy lives. His story is tailor-made for one of Kip Williams’ hybrid adaptations.

Williams’ technique is, by now, familiar to Sydney audiences. Again with Dracula, the third part of this loose...

Read more: a virtuosic performance, sexy staging, and a queer rewriting

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