Google AI
The Times Australia

Times Media

why I fell for Tina Turner

  • Written by: Leigh Carriage, Senior Lecturer in Music, Southern Cross University

For singers – amateur and professional alike – the name Tina Turner evokes instant reverence: Turner is a singer’s singer and perhaps the performer’s performer.

A highly successful songwriter, the consummate dancer and fittingly ranked as one of the 100 Greatest Artists of All Time[1] by Rolling Stone magazine, Turner was the ultimate entertainer.

Upon hearing of her death, I was deeply saddened. I immediately recalled the intoxicating power and timbre of her voice, her mesmerising energy and her commanding performances.

I started singing sections of songs such as Proud Mary[2], River Deep Mountain High[3] and of course iconic original songs, such as Nutbush City Limits[4]. This was an intimate, sentimental, nostalgic and danceable song celebrating Turner’s roots growing up in the small town of Nutbush, Tennessee.

Fierce hard work

My first encounter with Turner’s brilliance and might was hearing her hits of the mid-1980s, with songs like Graham Lyle’s What’s Love Got To Do With It[5], Al Green’s Let’s Stay Together[6] and – love it or hate it – the powerful rock ballad We Don’t Need Another Hero[7], the theme song to Mad Max: Beyond Thunderdome.

Once introduced, I immersed myself in her extensive back catalogue, soaking in her early 1960s soul, funk and emerging rock tracks.

Today, I flashed back to memories of the physical energy and technical focus and practice it took just attempting to sing any Turner songs in my 20s.

The degree of difficulty required to perform as Turner did cannot be understated.

To sing with such consistency in such high registers, belting out song after song live with impeccable pitch, breath control, fitness, articulation and rhythmic precision is one thing. To do all of this while dancing with intense pace to highly choreographed routines throughout each show is on a whole other level.

Her performance practice exemplified fierce hard work – with an immense energy and vitality in live performance.

Try singing any of her songs at a Karaoke bar. Very quickly you gain some insight into the technical demands her songs require.

Read more: Why some of the best-known tunes, like 'Happy Birthday,' are the hardest to sing[8]

Making songs her own

For every singer, selecting a repertoire to cover is an ongoing quest.

In a sea of the world’s great songs, Turner selected songs she could make her own. She remodelled every song she sang - realigning them so much that we now think of them as hers first.

There are so many examples. My favourites are Turner’s formidable versions of I Can’t Stand the Rain[9] (originally by Ann Peebles), The Best[10] (Bonnie Tyler) and Private Dancer[11] (Mark Knopfler).

A great deal of the songs Turner was known for through the 1960s were covers. Turner’s forceful and expressive vocal delivery gave new life to these songs, realigning them with her uniquely identifiable sound and choice of vocal register, her phrasing choices and her punctuated rhythmic delivery.

Turner is perhaps less known as a songwriter, but her diverse songwriting demonstrated her skill and thoughtful, well-crafted lyrics. On her 1972 album Feel Good, nine of the ten songs were written by Turner. From 1973 to 1977, Turner composed all the songs on each album.

One of my favourites of her original songs is the power ballad Be Tender With Me Baby[12]. It speaks of a request for understanding, of her loneliness and vulnerability, sung with Turner’s intensity.

Across her original songs and covers, Turner’s repertoire spoke of empowerment, individual strength and the many facets of love. Beyond performing, Turner represented inner strength, spiritual depth and resilience against adversity.

In 1996, when Turner was 57, she recorded her ninth studio album, Wildest Dreams.

One track, Something Beautiful Remains, may not be as familiar as many of her other hits, but it is the song I have kept returning to today. In the chorus, Turner’s lyrics are sadly perfectly fitting:

For every life that fadesSomething beautiful remains.

Read more: Tina Turner had a history of high blood pressure and kidney disease. Here's how one leads to the other[13]

Read more https://theconversation.com/empowerment-individual-strength-and-the-many-facets-of-love-why-i-fell-for-tina-turner-206395

Times Magazine

Still Want to Change Gears? The New Cars Keeping the Manual Alive in Australia

For decades, learning to drive meant mastering the clutch pedal, selecting the right gear and find...

SpaceX changed spaceflight. Now China is proving reusable rockets are the new battleground.

When SpaceX first landed a Falcon 9 booster vertically on a floating drone ship, many experts desc...

Hybrid, Plug-in Hybrid or Electric? Understanding the Differences

Buying a new car has become more complicated than choosing between petrol and diesel. Today's buye...

Technology

SpaceX changed spaceflight. Now Chi…

When SpaceX first landed a Falcon 9 booster vertically on a floating drone ship, many experts desc...

Local News

Fremantle Ports to trial project to…

Fremantle Ports has partnered with Byssal and DevelopmentWA to trial an innovative nature-based pilo...

Culture

Healthy Eating: What Does a Science-Based Die…

After years of changing food trends—from low-fat to low-carbohydrate, detoxes and "superfoods"—it ...

Travel

Santorini: Is Greece's Most Famous Islan…

Whitewashed villages perched on volcanic cliffs. Blue-domed churches overlooking the Aegean Sea. S...

The Times Features

Immigration Numbers Are a Policy Debate, Not a Race Deb…

Immigration has long helped shape modern Australia. New arrivals have contributed to the nation's...

One Nation at 29: Protest Party or Permanent Political …

Twenty-nine years ago, when Pauline Hanson's One Nation was officially formed in 1997, many politi...

IKEA: More Than Furniture—A Complete Design System for …

For many Australians, IKEA is simply a place to buy affordable furniture. Look more closely, howe...