The Times Australia
Fisher and Paykel Appliances
The Times World News

.

How streaming has changed kids’ viewing in Australia

  • Written by Jessica Balanzategui, Associate Professor in Media, RMIT University

It has been almost ten years since Netflix and Stan first started offering[1] streaming services in Australia.

This has been a decade of transformation for our local screen industries – and the implications for younger audiences in particular can’t be underestimated. For today’s children, streaming and watching television “on-demand” are the norm[2].

We’re now at a crossroads, on the cusp of the second decade of streaming in Australia. Earlier this year, a parliamentary inquiry[3] interrogating commercial arrangements between US-based global streaming services such as Netflix and YouTube and television manufacturers resulted in changes to the way internet-connected smart TV devices are regulated.

These changes are designed to ensure Australian providers such as ABC, SBS and commercial networks are available and easy to find on smart TV interfaces.

In other areas, however, the government’s promises have not resulted in policy action.

The government previously committed[4] to introducing a quota or expenditure system to ensure a certain amount of local content was available on subscription-video-on-demand (SVOD) services by July 2024. But July has come and gone with no developments, despite calls for urgent action[5] from the screen industry. An upcoming summit[6] and conference[7] will also explore the issue.

Although the Australian government has recognised[8] that the local children’s content sector in particular requires targeted solutions, the only policy change so far has been the removal of quotas[9] for this content on commercial broadcasters. This resulted in a decrease of more than 84%[10] in hours screened on commercial broadcasters between 2019 and 2022.

There is currently no concrete requirement for any broadcaster or streamer in Australia to screen a certain amount of local kids’ content.

A kid has Youtube Kids open on their phone while lying in a hammock.
Netflix and Youtube were the most popular choices among our participants. Shutterstock

Do Aussie kids access local content?

While there has been much anxiety about the reduction in local children’s content production, there has been little focus on whether children are actually able to access the local content available to them on streaming platforms.

Our audience research[11] with children aged seven to nine found content “discoverability” should be regarded as a pressing policy priority.

We interviewed 37 children and their parents, and observed children using streaming platforms to select and watch the content of their choice. We also observed the children watching with their parents to see how parental coviewing might influence children’s choices.

Among other things, we found:

  • Netflix and YouTube were by far the most popular platform choices among our participants

  • only 17% of kids gravitated to Australian content while streaming independently

  • only 9% gravitated to Australian content while watching with their parents. In tandem with our interviews, this suggests parents are not necessarily encouraging children to watch local content.

The Americanisation of TV in Australia

The children in our study explained how a diet of mainly US content impacted them. One nine-year-old girl told us:

[I wish there was more Australian stuff] because sometimes I wouldn’t know what they’re talking about because they would say something a different way than how Australians would say it and then it would kind of get me confused and I would have to go on Google or something.

Consider also the following conversation with a different child:

Researcher: Do you wish there were more Australian shows on the streaming platforms?

Nine-year-old girl: Yeah because most of them are like, American, and when I was six or seven I would just watch all the American stuff. And then I started to say ‘diaper’ and then my Dad kept correcting me. […] They would say ‘gas station’ instead of ‘petrol station’ and stuff like that.

Children were also often confused about what Australian content was. They struggled to identify it across various streaming platforms, unless the images in front of them had stereotypical images of Australiana such as kangaroos or the outback.

Researcher: Do you like watching Australian TV shows?

Seven-year-old girl: I don’t even know what the Australian TV shows are.

Researcher: How would you know if something was Australian?

Seven-year-old girl I don’t know.

The ABC’s platforms were the third most popular choice among the children, and were often associated with Australian content. This highlights the important cultural role the ABC plays in providing children access to local content.

Researcher: And which streaming platform is the easiest to use?

Nine-year-old girl: Probably ABC ME. Because its mainly all Australian, and only a few of them aren’t – and you know that if you just scroll a little bit, you’re gonna find a good kids’ show.

Netflix and YouTube set kids’ expectations

Our young participants valued the interfaces and algorithmic personalisation of Netflix and YouTube, but didn’t understand how these may be shaping their content choices and habits (or narrowing their access to Australian content).

The children often assumed the content they watched across Netflix and YouTube was American. In some cases, even when their favourite shows were Australian, they assumed they must be American.

Eight-year-old boy: I watch a lot of American. […] I do like American shows a lot, but not really Australian shows.

Researcher: But what about Little Lunch and InBESTigators? [two shows the child had previously identified as favourites].

Eight-year-old boy: Little Lunch is definitely American.

Researcher: No, that one’s an Australian show!

Eight-year-old boy: [Physically recoils. Shocked pause] Well… InBESTigators is American!

Researcher: InBESTigators is Australian too!

Eight-year-old boy: [Shocked pause] WHAT!?

Supporting access to Australian content

Our research shows the issues surrounding Australian kids’ TV go deeper than a reduction in production. Children also need to be able to find the Australian content available to them on streaming platforms, which requires changes to the way this content is labelled and displayed.

Australian content helps children understand and reflect on their place in local culture. If children don’t develop appetites for this content at a young age, they may never seek it out as they grow into teenagers[12] and adults – so the implications for our culture now and into the future are potentially significant.

References

  1. ^ started offering (www.theguardian.com)
  2. ^ the norm (www.ofcom.org.uk)
  3. ^ parliamentary inquiry (www.infrastructure.gov.au)
  4. ^ previously committed (tvtonight.com.au)
  5. ^ urgent action (www.screenhub.com.au)
  6. ^ summit (events.humanitix.com)
  7. ^ conference (www.acmi.net.au)
  8. ^ has recognised (www.infrastructure.gov.au)
  9. ^ the removal of quotas (www.abc.net.au)
  10. ^ of more than 84% (www.theguardian.com)
  11. ^ audience research (journals.sagepub.com)
  12. ^ as they grow into teenagers (theconversation.com)

Read more https://theconversation.com/i-dont-even-know-what-the-australian-tv-shows-are-how-streaming-has-changed-kids-viewing-in-australia-236874

Active Wear

Times Magazine

Myer celebrates 70 years of Christmas windows magic with the LEGO Group

To mark the 70th anniversary of the Myer Christmas Windows, Australia’s favourite department store...

Kindness Tops the List: New Survey Reveals Australia’s Defining Value

Commentary from Kath Koschel, founder of Kindness Factory.  In a time where headlines are dominat...

In 2024, the climate crisis worsened in all ways. But we can still limit warming with bold action

Climate change has been on the world’s radar for decades[1]. Predictions made by scientists at...

End-of-Life Planning: Why Talking About Death With Family Makes Funeral Planning Easier

I spend a lot of time talking about death. Not in a morbid, gloomy way—but in the same way we d...

YepAI Joins Victoria's AI Trade Mission to Singapore for Big Data & AI World Asia 2025

YepAI, a Melbourne-based leader in enterprise artificial intelligence solutions, announced today...

Building a Strong Online Presence with Katoomba Web Design

Katoomba web design is more than just creating a website that looks good—it’s about building an onli...

The Times Features

Myer celebrates 70 years of Christmas windows magic with the LEGO Group

To mark the 70th anniversary of the Myer Christmas Windows, Australia’s favourite department store...

Pharmac wants to trim its controversial medicines waiting list – no list at all might be better

New Zealand’s drug-buying agency Pharmac is currently consulting[1] on a change to how it mana...

NRMA Partnership Unlocks Cinema and Hotel Discounts

My NRMA Rewards, one of Australia’s largest membership and benefits programs, has announced a ne...

Restaurants to visit in St Kilda and South Yarra

Here are six highly-recommended restaurants split between the seaside suburb of St Kilda and the...

The Year of Actually Doing It

There’s something about the week between Christmas and New Year’s that makes us all pause and re...

Jetstar to start flying Sunshine Coast to Singapore Via Bali With Prices Starting At $199

The Sunshine Coast is set to make history, with Jetstar today announcing the launch of direct fl...

Why Melbourne Families Are Choosing Custom Home Builders Over Volume Builders

Across Melbourne’s growing suburbs, families are re-evaluating how they build their dream homes...

Australian Startup Business Operators Should Make Connections with Asian Enterprises — That Is Where Their Future Lies

In the rapidly shifting global economy, Australian startups are increasingly finding that their ...

How early is too early’ for Hot Cross Buns to hit supermarket and bakery shelves

Every year, Australians find themselves in the middle of the nation’s most delicious dilemmas - ...