The Times Australia
The Times World News

.
The Times Real Estate

.

the engrossing story of a child prodigy in the court of Louis XIV

  • Written by Judith Armstrong, Honorary Fellow of the School of Languages and Linguistics, The University of Melbourne
the engrossing story of a child prodigy in the court of Louis XIV

Brilliant. Inventive. Devilish.

This is how 15-year old Jean-Baptiste Forqueray[1] (1699-1742) describes the music that his father Antoine[2] (1672-1745) draws from the viol[3], aka viola da gamba. The same words could be applied to this novel, a brilliant read inventively devised by Adelaide’s Michael Meehan, but somewhat devilish to review.

An Ungrateful Instrument – Michael Meehan (Transit Lounge)

Because, although music often tells stories, this story tells music. By which I mean that it works contrapuntally, careering ahead but also looking back and catching itself up, complicating and enhancing itself via reversals and repetitions and new motifs, never short of a theme to be introduced and played on.

I invite you to look at, listen to and enjoy this extract from the first chapter of this book, written by Charlotte-Elisabeth, purportedly Jean-Baptiste’s younger sister:

… I can tell of how the boy creeps from the house in the first light of dawn, his viol swathed in thick canvas. Of how he steps through the drifts that lead down to the river, his footsteps first to break the newest fall of snow.

He steals down to a clearing by the bank, to a seat on a toppled sycamore. He draws the viol from the canvas and opens its music to the air. The first sounds moan and clash, as though in sorrow, but then reach out, testing the silver spaces of the frozen river, the keening of the breeze that troubles the highest branches, the muffled sound of the waters that move deep below the ice.

He begins to play. A new kind of music. Not a music he has ever learned. Not a music to be played indoors, to be played within his father’s hearing. He listens closely, blending his music with all he hears around him. Chasing the rhythm, not quite yet a rhythm. Seeking a motion to bind the drip, drip, drip of melting snow, to catch the fractured melodies that run through the chill boughs above.

He drums his fingers on the belly, tracing the hiding harmonies, the matching rhythms of water, wind and trees. He draws from the frozen river a music that was there before him, a music that was there long before his father, before the first growth of his instrument, the woods through which he plays.

The prose may be unapologetically poetic, but the narrative itself is vivid and lively, sometimes even quirky, though its origins are firmly based in the history of French music. Forqueray père and, later, Jean-Baptiste, began their careers as child prodigies during the 70-year reign of Louis XIV, and in time overlapped as official court musicians.

Read more: Fornication, fluids and faeces: the intimate life of the French court[4]

Jean-Martial Frédou, Portrait of Jean-Baptiste Forqueray (1737). Wikimedia Commons

Their fictionalised story is written down by the above-mentioned Charlotte-Elisabeth, who does not speak but whose role is in every way central. When she was a child and learning to play the harpsichord, her father was determined to turn her into a prodigy as famous as her brother: one day, she too must play at court.

To this end he tries to thrash her into learning, as he’d successfully done with his son; but in contrast to her brother, Charlotte-Elisabeth rebels. Her creative life will be her own choice, not her father’s.

When she is seven, he inflicts on her a particularly savage beating, yanking a clump of her hair out, striking her with his bow until it breaks, and shutting her in her room for several days “to be starved into music”. Instead, Charlotte-Elisabeth makes a thrilling discovery: silence is her friend and consolation. When she is let out, she chooses never to speak again.

Read more: Friday essay: what is it about Versailles?[5]

Forever mute (but NOT deaf-mute, as the book’s front flap nonsensically claims) she is nevertheless far from isolated. Behind the curtains of the window-seat, people confide to her the things they cannot say to anyone else, not even to themselves. Within her silence she harbours “the lost truth of all their lives”; and she continues to play the harpsichord for her own personal pleasure.

Portrait of Antoine Forqueray. Wikimedia Commons

The father also continues on his path, cruelty still his weapon of instruction. Teaching Jean-Baptiste, he permits only his own compositions to be used; but as he never commits them to paper, they demand endless hours at the piano, enabling the father to overwork a pupil who must reach the level he has frenziedly set.

Unfortunately, the father fails to grasp that while this standard is high enough to impress the court and garner some fame, it is ultimately constrained by his own limitations.

Jean-Baptiste is five when he first plays for the king in the Hall of Mirrors at Versailles, desperately uncomfortable under a hot wig and heavy court dress. Despite much applause from the audience, the father showers him with imprecations. The reader again understands what the father does not: that the son cannot rise above a teacher who has no intention of being outstripped by his pupil.

Alongside this painful histoire runs the story introduced in the quote. We now learn that when Jean-Baptiste played in the forest he was heard by an ancient luthier living in its depths; the old man’s deep and intimate knowledge of every tree – maple, sycamore, pear-wood, ebony, cherry-wood, spruce – ensures his unerring ability to select the wood best suited to a specified instrument. After Jean-Baptiste has come by a few more times, the old man offers to make him a new viol. The ensuing story of Jean-Baptiste’s life and career as a viol-player is not without adventures and trials. He is thrown into prison, gifted by the Duc d’Orleans with a priceless if troublesome instrument known as the regent’s viol, and exiled from France; he walks to Venice and is invited to play in the basilica of the Frari. Plus much more. Alongside his exploits run the eventful stories of the two special instruments, the “regent’s viol” and the “forest viol”; and also those of two girls, Jeanne and Marie-Rose, both musicians, who constitute Jean-Baptiste’s romantic and conjugal life. In the end, everything in this engrossing and beautifully presented novel contributes to one ultimate message. Music and Love should never just respond; they must both create, using the human energy that is poured into them. References^ Jean-Baptiste Forqueray (en.wikipedia.org)^ Antoine (en.wikipedia.org)^ viol (en.wikipedia.org)^ Fornication, fluids and faeces: the intimate life of the French court (theconversation.com)^ Friday essay: what is it about Versailles? (theconversation.com)

Read more https://theconversation.com/music-silence-love-and-power-the-engrossing-story-of-a-child-prodigy-in-the-court-of-louis-xiv-199767

The Times Features

Best Deals on Home Furniture Online

Key Highlights Discover the best deals on high-quality outdoor furniture online. Transform your outdoor space into a stylish and comfortable oasis. Explore a wide range of d...

Discover the Best Women's Jumpers for Every Season

Key Highlights Explore lightweight jumpers for spring and summer, ensuring breathability and ease. Wrap up warm with cozy wool jumpers for the chilly autumn and winter season...

Uncover the Elegance of Gorgeous Diamond Tennis Necklaces

Key Highlights Diamond tennis necklaces are a timeless piece of jewelry that exudes elegance and sophistication. They feature a continuous line of brilliant-cut diamonds, cre...

Dental Implants vs. Dentures: Which Is Better for You?

When it comes to replacing missing teeth, two of the most common options are dental implants and dentures. Both have their advantages and disadvantages, so choosing between them ...

What Neck Pain Really Means (And Why It’s More Than Just Poor Posture)

Neck pain is often brushed off as something temporary — a tight spot after a long day at the desk or a poor night’s sleep. But when the discomfort keeps returning, it could be a ...

The Work of Gosha Rubchinskiy: Fashion, Culture, and Youth

From Designer to Cultural Architect Gosha Rubchinskiy is not just a fashion designer—he's a cultural force. Born in Moscow in 1984, Rubchinskiy began his career in fashion in t...

Times Magazine

The Essential Guide to Transforming Office Spaces for Maximum Efficiency

Why Office Fitouts MatterA well-designed office can make all the difference in productivity, employee satisfaction, and client impressions. Businesses of all sizes are investing in updated office spaces to create environments that foster collaborat...

The A/B Testing Revolution: How AI Optimized Landing Pages Without Human Input

A/B testing was always integral to the web-based marketing world. Was there a button that converted better? Marketing could pit one against the other and see which option worked better. This was always through human observation, and over time, as d...

Using Countdown Timers in Email: Do They Really Increase Conversions?

In a world that's always on, where marketers are attempting to entice a subscriber and get them to convert on the same screen with one email, the power of urgency is sometimes the essential element needed. One of the most popular ways to create urg...

Types of Software Consultants

In today's technology-driven world, businesses often seek the expertise of software consultants to navigate complex software needs. There are several types of software consultants, including solution architects, project managers, and user experienc...

CWU Assistive Tech Hub is Changing Lives: Win a Free Rollator Walker This Easter!

🌟 Mobility. Independence. Community. All in One. This Easter, the CWU Assistive Tech Hub is pleased to support the Banyule community by giving away a rollator walker. The giveaway will take place during the Macleod Village Easter Egg Hunt & Ma...

"Eternal Nurture" by Cara Barilla: A Timeless Collection of Wisdom and Healing

Renowned Sydney-born author and educator Cara Barilla has released her latest book, Eternal Nurture, a profound collection of inspirational quotes designed to support mindfulness, emotional healing, and personal growth. With a deep commitment to ...

LayBy Shopping