Google AI
The Times Australia
The Times World News

.

Pondering the wisdom of placing our major galleries, libraries and theatres on the banks of a flood-prone river

  • Written by: Margaret Cook, Lecturer in History, University of the Sunshine Coast
pondering the wisdom of placing our major galleries, libraries and theatres on the banks of a flood-prone river

As a historian, I spend many hours at the State Library of Queensland looking out the large glass panels gazing at the Brisbane River. Its tranquil brown water quietly meanders past, offering an ideal place to watch the CityCat ferries and the occasional passing rower.

But this weekend the water was roaring, racing past the library, full of pontoons, boats and debris. The river broke its banks, reclaiming its floodplain and inundating buildings in its path, until the flood peaked at 3.85 metres[1] at the Brisbane gauge.

Maiwar (Turrbal name for the Brisbane River) has a long history of floods, as does the south end peninsula or Kurilpa, “place of the water rat”. This land, once full of waterholes, creeks and wetlands provided sustenance for Turrbal and Jagara peoples for centuries.

Flooded streets of Brisbane in 1893. Queensland State Archives

By 1893 when a flood of 8.35 metres occurred in central Brisbane, South Bank was an industrial site occupied by wharves, factories, commercial businesses, and the railway line, with residential estates in nearby West End.

After the flood, commercial businesses moved to the north side and between 1900 to the 1970s the south bank declined, left as largely undeveloped open space.

A new cultural precinct

In 1969, the Queensland Art Gallery Site Committee selected the river’s south bank as the site of a new state art gallery, its river location regarded as enhancing its aesthetic appeal.

By 1974 the state government had acquired more land for a cultural precinct, undeterred by the 1974 floods that reached 5.45m at the Brisbane gauge.

The 1974 floods reached a height of 5.45 meters. Queensland State Archives

Additions included the Queensland Art Gallery (opened in 1982), Queensland Performing Arts Centre (1985), Queensland Museum (1986) and Queensland State Library (1988, extended 2006). The cultural precinct expanded with the Playhouse Theatre (1998) and the Queensland Gallery of Modern Art (GOMA, 2006).

By 1987, the Queensland Art Gallery and Queensland Performing Arts Centre (both far left) had been opened, but most of the south bank was undeveloped. Queensland State Archives

With its riverside landscape forecourts and restaurants, and iconic Brisbane eye, the designs took advantage of the location, and were intended to make a statement when viewed from the north side of the river.

The adjacent land was developed for World Expo ’88, now South Bank Parklands and home to the Queensland Conservatorium (1996) and ABC studios (2013).

The precinct stretches more than 450 metres along the Brisbane River and is now the cultural hub of Brisbane.

In 1988, South Bank was home to the World Expo. Queensland State Archives

The 2011 floods

But South Bank’s watery history is never far away.

In 2011 Brisbane again flooded, this time to 4.46m at the Brisbane gauge, and the precinct’s vulnerability was exposed. Within hours its riverside location switched from an asset to a liability. The carparks and basement levels were inundated where the electrical, fire and air-conditioning systems were located, rendering the buildings unsafe.

The buildings were all closed as basements pumps went into overdrive.

Flooded South Bank During the 2011 floods, Brisbane river reached 4.46 metres. AAP Image/Dave Hunt

Water did not enter the Queensland Art Gallery, but the lower level of the Children’s Art Centre, River Café and back-of-house areas were damaged at the Gallery of Modern Art. The first floor was well above river levels and the ground floor’s robust design allowed it to be hosed out.

The State Library was forced to move its collection to higher levels – as staff had been doing in previous wet weeks – and was saved by the 2006 renovation that had already relocated some books to higher levels. The Edge, the children’s space on the ground floor, was damaged.

Almost three metres of floodwater inundated the lower end of the Playhouse at the Queensland Performing Arts Centre. It was a month before performances could be held.

The headquarters of the Queensland Theatre Company, only blocks away in Montague Road, was in waist-deep water.

Thousands of props and costumes were destroyed – years of theatrical history were sent to the dump. The stage flooring and lower-level seating, bar, reception and green rooms were irrevocably damaged.

As the floodwaters receded, humidity (the harbinger of mould) rose, the power loss making humidity monitors and air conditioning impossible. Librarians and museum and art curators monitored anxiously.

But after a few weeks, in the spirit of “the show must go on”, the curtains re-opened at the Queensland Performing Arts Centre and these cultural hubs returned to business as usual.

The 2022 floods

When floodwaters rose again this year my fellow historians and I were texting each other to ask: “what’s happening to the State Library, is it in trouble?”

Sadly, it was. The State Library of Queensland, its access limited for months by COVID-19, is again closed[2]. The community tool library on ground floor of the library is completely under water.

The Queensland Theatre Company is again inundated with water.

Performances at the Queensland Performing Arts Centre are postponed[3] until at least March 7.

The ABC, an essential service in floods, was inundated. Brisbane news was diverted through Melbourne or Perth and local journalists reported in the field.

In a few weeks’ time I hope to return to research at the state library. Once again, I will look out over the river and enjoy the peaceful reverie of seemingly benign water pass by.

But this time I will contemplate the wisdom of placing all our cultural repositories on the banks of a flood-prone subtropical river.

Read more: Like rivers in the sky: the weather system bringing floods to Queensland will become more likely under climate change[4]

Read more https://theconversation.com/brisbane-floods-pondering-the-wisdom-of-placing-our-major-galleries-libraries-and-theatres-on-the-banks-of-a-flood-prone-river-178156

Times Magazine

The 2026 Met Gala: Fashion, Power and the Theatre of Exclusivity

Each year, on the first Monday in May, the global fashion industry converges on the steps of Metro...

Australian Wine Guide

A Quick but Informed Guide to the Varieties and Popular Brands of Australian WinesDon’t let a wine...

What next from Apple

The question of what comes next for Apple Inc. is no longer theoretical. With leadership transitio...

Leapmotor Hybrid EV Review

The Leapmotor hybrid EV—most notably the Leapmotor C10 REEV (range-extended electric vehicle)—has ...

Navman Gets Even Smarter with 2026 MiVue™ Dash Cams

Introducing NEW Integrated Smart Parking and Australia-First Extended Recording Mode Navman to...

Why Interactive Panels Are Replacing Traditional Whiteboards in Perth

Whiteboards have been part of classrooms and meeting rooms for decades. They’re familiar, flexible...

The Times Features

Labor derails regional freight to fund high-speed piped…

The Albanese Labor Government’s decision to abandon the critical New South Wales to  Queensland leg ...

GraceX Launches Psychological Safety Platform as Psych…

Australia’s approach to workplace mental health has entered a  new and consequential chapter. Work H...

Australia Pays the Price for Labor’s City-Centric Infra…

The Albanese Labor Government’s decision to abandon the Gladstone connection to Inland Rail is ano...

Fast Food Is Called “Sometimes Food” For Children. Ther…

For generations, parents were told that fast food should be “sometimes food” for children rather t...

KMS x Daisy Edgar Jones Met Gala

For the 2026 Met Gala red carpet, Celebrity Stylist, Bryce Scarlett, created a voluminous, polished ...

Sweet success as Council green-lights $150 million Choc…

Glenorchy City Council has approved the $150 million Chocolate Experience at Cadbury, clearing the w...

Goldwell x Margot Robbie at the Met Gala

For the 2026 Met Gala red carpet, Celebrity Stylist, Bryce Scarlett, created a defined, twisted updo...

Team sport the MVP for kicking kids’ mental health goal…

Findings from one of the most comprehensive reviews to date examining sport participation and ment...

The 2026 Met Gala: Fashion, Power and the Theatre of Ex…

Each year, on the first Monday in May, the global fashion industry converges on the steps of Metro...