The Times Australia
The Times World News

.

The Smallest Stage is an intricately crafted play for families about incarceration – and the power of stories

  • Written by Leah Mercer, Associate Professor of Theatre Arts, Curtin University
The Smallest Stage is an intricately crafted play for families about incarceration – and the power of stories

Review: The Smallest Stage, by Kim Crotty for Perth Festival

A small, white rectangle taped onto the wide, open expanse of the Studio Underground playing space is a literal representation of one of the small stages evoked by the play’s title. But The Smallest Stage goes way beyond the literal to recreate its primary focus: the space between a parent telling a child a story.

Ostensibly a one-man show, actor Ben Mortley actually shares the stage with a cast of 20 others: ten children with one parent each.

These volunteers, experiencing the performance for the first time, receive their instructions (unheard by the rest of the audience) via headphones that direct their entrances and exits from the front row and stage choreography. They move props, play multiple roles and recreate key moments referenced in the storytelling.

A group of children wearing headphones walk towards a man
A cast of children and their parents become integral parts of the storytelling. Perth Festival/Ben Yew

Mortley plays the character of West Australian writer and co-creator of this production, Kim Crotty, who was sentenced to two years in Dartmoor prison in the UK for growing cannabis, separating him from his partner and two sons.

In this autobiographical retelling, Mortley moves seamlessly between present day Crotty as narrator, Crotty in the past dealing with the reality of his situation and the characters he meets along the way.

With the white rectangle now serving as his prison cell, Crotty realises the fleeting phone calls and visits with his children are only deepening the trauma of his absence. This drives him to do what most parents do to settle their children: tell stories.

And so Crotty becomes both writer and illustrator, as he desperately seeks to maintain his connection with his family.

Stories as lifebuoys

Running the gamut of children’s storytelling genres, Crotty’s stories include gross-out humour featuring unforgettable characters like Snot Man and Tissue Monster, what he calls “alternate superheroes” and old-fashioned morality tales.

All in all he wrote and illustrated 47 stories for his sons.

Although some of them could work as children’s books or theatre in their own right, The Smallest Stage is about more than the stories themselves. It is about a father rising above his current circumstances to create new worlds to inhabit with his sons, seeking to gain a sense of control in fictional worlds that might eventually transfer to the real world.

A man stands in front of large handwritten words: Because I thought I could get away with it. The Smallest Stage is about a father rising above his current circumstances to create new worlds to inhabit with his sons. Perth Festival/Ben Yew

Crotty’s stories are lifebuoys cast by a drowning man. By adding the story behind them, The Smallest Stage casts a much wider net

Even with children in the audience, The Smallest Stage doesn’t avoid serious themes. The ugly remnants of family violence, incarceration and misogyny are faced squarely. The vestiges of what we inherit from our parents and what we pass on plays out in the storytelling. Reckoning with what Crotty describes as his own “father-shaped hole”, the work tracks his journey to be a better father than the one he had.

The simple paper of the original storytelling is very much in evidence. The work brilliantly stages the transformative capacity of storytelling via live drawing segueing into animation, projection, puppetry and a pop-up book simply lit by a hand-held torch. One extended animated story of Ghost Girl Elise is beautifully realised.

But while the stories draw us in on their own merits, the focus remains on how the stories bridge the gap between the father and his sons.

Shadow puppet of a girl on a bike Live drawing segues into animation, projection, puppetry and pop-up books. Perth Festival/Ben Yew

Everyone has a story

This focus is also present in the presence of the audio-guided participant children and parents. Witnessing this layer of the performance illuminates the work’s premise: everyone has a story.

It also extends and expands the specificities of Crotty’s story. The choreography that accompanies the moment when Crotty is reunited with his sons when he is finally released and deported back to Australia creates a simple but emotional release. There is no acting required here.

Crotty’s decision to not hide the truth of his mistakes and failings from his children is one challenge most parents would understand. The Smallest Stage shows by finding “the words to name the ache” Crotty creates a pathway towards a more open, honest and loving relationship with his sons, ultimately forming a lifetime habit of love and storytelling.

Children sit on the floor, listening to a man in a chair. The Smallest Stage doesn’t hide the hard parts of the story from its young audience. Perth Festival/Ben Yew

Mortley’s performance is an emotional slow burn. While the work itself is expertly crafted to accommodate all the variables at play, Mortley remains at the mercy of chance created by the presence of the other participants. Retaining and calibrating the emotional arc of the work, while remaining open to the variability of their input, he is the heart and soul of The Smallest Stage’s aches and joys.

Mortley, director Matt Edgerton and designer Zoë Atkinson worked with Crotty to co-create this world premiere performance. As theatre makers, they followed Crotty’s principle of using everything at their disposal to create.

A superb collaborative effort, The Smallest Stage is a real triumph of form emerging from content, a powerful example of the originality that can emerge from a group of artists given time, money and support to work towards one purpose.

It also reminds us of theatre’s communal roots and its capacity to activate and uplift an audience.

The Smallest Stage is at Perth Festival until February 27.

Read more https://theconversation.com/the-smallest-stage-is-an-intricately-crafted-play-for-families-about-incarceration-and-the-power-of-stories-176802

Times Magazine

Building a Strong Online Presence with Katoomba Web Design

Katoomba web design is more than just creating a website that looks good—it’s about building an online presence that reflects your brand, engages your audience, and drives results. For local businesses in the Blue Mountains, a well-designed website a...

September Sunset Polo

International Polo Tour To Bridge Historic Sport, Life-Changing Philanthropy, and Breath-Taking Beauty On Saturday, September 6th, history will be made as the International Polo Tour (IPT), a sports leader headquartered here in South Florida...

5 Ways Microsoft Fabric Simplifies Your Data Analytics Workflow

In today's data-driven world, businesses are constantly seeking ways to streamline their data analytics processes. The sheer volume and complexity of data can be overwhelming, often leading to bottlenecks and inefficiencies. Enter the innovative da...

7 Questions to Ask Before You Sign IT Support Companies in Sydney

Choosing an IT partner can feel like buying an insurance policy you hope you never need. The right choice keeps your team productive, your data safe, and your budget predictable. The wrong choice shows up as slow tickets, surprise bills, and risky sh...

Choosing the Right Legal Aid Lawyer in Sutherland Shire: Key Considerations

Legal aid services play an essential role in ensuring access to justice for all. For people in the Sutherland Shire who may not have the financial means to pay for private legal assistance, legal aid ensures that everyone has access to representa...

Watercolor vs. Oil vs. Digital: Which Medium Fits Your Pet's Personality?

When it comes to immortalizing your pet’s unique personality in art, choosing the right medium is essential. Each artistic medium, whether watercolor, oil, or digital, has distinct qualities that can bring out the spirit of your furry friend in dif...

The Times Features

How much money do you need to be happy? Here’s what the research says

Over the next decade, Elon Musk could become the world’s first trillionaire[1]. The Tesla board recently proposed a US$1 trillion (A$1.5 trillion) compensation plan, if Musk ca...

NSW has a new fashion sector strategy – but a sustainable industry needs a federally legislated response

The New South Wales government recently announced the launch of the NSW Fashion Sector Strategy, 2025–28[1]. The strategy, developed in partnership with the Australian Fashion ...

From Garden to Gift: Why Roses Make the Perfect Present

Think back to the last time you gave or received flowers. Chances are, roses were part of the bunch, or maybe they were the whole bunch.   Roses tend to leave an impression. Even ...

Do I have insomnia? 5 reasons why you might not

Even a single night of sleep trouble can feel distressing and lonely. You toss and turn, stare at the ceiling, and wonder how you’ll cope tomorrow. No wonder many people star...

Wedding Photography Trends You Need to Know (Before You Regret Your Album)

Your wedding album should be a timeless keepsake, not something you cringe at years later. Trends may come and go, but choosing the right wedding photography approach ensures your ...

Can you say no to your doctor using an AI scribe?

Doctors’ offices were once private. But increasingly, artificial intelligence (AI) scribes (also known as digital scribes) are listening in. These tools can record and trans...