The Times Australia
The Times World News

.

Sydney Theatre Company's Julius Caesar is a clear-eyed look at the consequences of failed politics

  • Written by Huw Griffiths, Senior Lecturer in English Literature, University of Sydney
Sydney Theatre Company's Julius Caesar is a clear-eyed look at the consequences of failed politics

Review: Julius Caesar directed by Kip Williams, Sydney Theatre Company

The Roman emperor Julius Caesar has been killed in the capitol, and the conspirators pause to reflect for a moment. Cassius, the main instigator of the assassination, wonders if this tale will be told again in the centuries to come.

“How many ages hence,” he asks, “Shall this lofty scene be acted over / In states unborn and accents yet unknown?”

And Brutus, Caesar’s one-time friend responds, “How many times shall Caesar bleed in sport?”

In other words, will theatres of the future put on shows about this world-changing event?

Kip Williams’ Julius Caesar (for the STC’s wonderfully refurbished Wharf 1 stage) takes this question from Shakespeare’s play and makes it the beating heart of the production.

It is not just that this 21st century Julius Caesar advertises the contemporary relevance of the story. We are also asked to consider just how political stories are told, re-told, and told again.

Geraldine Hakewill, Zahra Newman and Ewen Leslie in Sydney Theatre Company’s Julius Caesar, 2021. Photo: Daniel Boud ©

Modern tyranny and Julius Caesar

When Shakespeare wrote this play in 1599, the ageing Queen Elizabeth I was still on the throne after 41 years. Her reign had descended from an early promise of greater freedom and rational government.

“I would not open windows into men’s souls”, she is believed to have said[1]in an early speech to parliament, indicating a departure from her predecessors who had not held back from persecuting those who did not share their beliefs.

Modern historians have referred to Elizabeth’s early reign as a “monarchical republic”, a cautious blend of consultative government and royal prerogative. But, by the end of the century, the country had descended into a darkly tyrannous period of violence, factionalism and mutual suspicion.

For Shakespeare, the question of whether or not Caesar has become a tyrant is really a question about his own country’s increasingly dangerous politics. As Elizabeth’s death draws near, Shakespeare considers the tolerance of his countrymen for more autocratic forms of government. In 2021, those questions are being asked again.

Zahra Newman in Sydney Theatre Company’s Julius Caesar, 2021. Photo: Daniel Boud ©

‘The evil that men do lives after them’

The set-piece of Williams’ production – and the high-point of Shakespeare’s play – is a speech: Antony’s speech on the death of his friend, Caesar.

Brutus has tried to address the Roman people and explain the conspirators’ actions through reference to noble motives and truth-telling. Anthony knows that truth holds no sway over the public and that emotion will work every time.

For this production, Williams has brilliantly adapted the famous speech into a searing indictment of 20th and 21st century political charlatanism. During the course of the speech, Geraldine Hakewill playing Antony transforms from grieving friend into modern political demagogue.

Putting on her standard-issue white power suit and her Christian Louboutin shoes – like a cross between Julie Bishop and Goebbels – Hakewill’s superb performance of reveals the awful terror that lies at the heart of post-truth, political manipulation.

That Shakespeare turns the fortunes of his play’s characters - and of Rome and the world - on the reception of just one speech is a brilliant piece of writing.

Williams is not shy of a similar focus on the power of words to close debate down as well as open it up. But, if Shakespeare’s London was already at some remove from Rome, then we are now several steps further along the road of political degradation in this production.

Read more: We get there in the end: Return to the Dirt pulls back the curtain on life and death in a funeral home[2]

The consequences of failed politics

Shakespeare wants us to think that Brutus holds on to his nobility in the midst of the mayhem that he helps to unleash. But, to the viewer watching the play in 2021, the conspirators never seem to find a real justification for their actions and the descent into chaos happens at speed.

Ewen Leslie’s Cassius is bitter and damaged, whilst Zahra Newman’s Brutus is less a remnant of past nobility than a naive fool who never had a secure grip on his own motivations.

The three actors play all of the roles in the play, with Williams’ smart use of video fleshing out the narrative. Video also plays an integral part in our consideration of the way that political motivations distorted by the media.

Perhaps not as spectacularly innovative as in last year’s Dorian Gray, Williams’s use of video in this show is nonetheless completely in tune with the production’s focus on failed political discourse.

Zahra Newman and Ewen Leslie in Sydney Theatre Company’s Julius Caesar, 2021. Photo: Daniel Boud ©

But that’s not to say that the physical space of Wharf 1’s new theatre in the round isn’t also put to good use. The three actors bring a manic energy to this dynamic new stage, motoring an already lean (in Shakespeare’s terms) script towards its frightening conclusion at a breakneck speed. Command of the dialogue from all three performers is superb: clear, direct, and artfully controlled.

With its clear-eyed look at the consequences of failed politics, this production of Julius Caesar is both an appropriate, and an extraordinarily well-executed inaugural show for the STC’s new stage.

Read more https://theconversation.com/sydney-theatre-companys-julius-caesar-is-a-clear-eyed-look-at-the-consequences-of-failed-politics-172038

Times Magazine

Building an AI-First Culture in Your Company

AI isn't just something to think about anymore - it's becoming part of how we live and work, whether we like it or not. At the office, it definitely helps us move faster. But here's the thing: just using tools like ChatGPT or plugging AI into your wo...

Data Management Isn't Just About Tech—Here’s Why It’s a Human Problem Too

Photo by Kevin Kuby Manuel O. Diaz Jr.We live in a world drowning in data. Every click, swipe, medical scan, and financial transaction generates information, so much that managing it all has become one of the biggest challenges of our digital age. Bu...

Headless CMS in Digital Twins and 3D Product Experiences

Image by freepik As the metaverse becomes more advanced and accessible, it's clear that multiple sectors will use digital twins and 3D product experiences to visualize, connect, and streamline efforts better. A digital twin is a virtual replica of ...

The Decline of Hyper-Casual: How Mid-Core Mobile Games Took Over in 2025

In recent years, the mobile gaming landscape has undergone a significant transformation, with mid-core mobile games emerging as the dominant force in app stores by 2025. This shift is underpinned by changing user habits and evolving monetization tr...

Understanding ITIL 4 and PRINCE2 Project Management Synergy

Key Highlights ITIL 4 focuses on IT service management, emphasising continual improvement and value creation through modern digital transformation approaches. PRINCE2 project management supports systematic planning and execution of projects wit...

What AI Adoption Means for the Future of Workplace Risk Management

Image by freepik As industrial operations become more complex and fast-paced, the risks faced by workers and employers alike continue to grow. Traditional safety models—reliant on manual oversight, reactive investigations, and standardised checklist...

The Times Features

Is our mental health determined by where we live – or is it the other way round? New research sheds more light

Ever felt like where you live is having an impact on your mental health? Turns out, you’re not imagining things. Our new analysis[1] of eight years of data from the New Zeal...

Going Off the Beaten Path? Here's How to Power Up Without the Grid

There’s something incredibly freeing about heading off the beaten path. No traffic, no crowded campsites, no glowing screens in every direction — just you, the landscape, and the...

West HQ is bringing in a season of culinary celebration this July

Western Sydney’s leading entertainment and lifestyle precinct is bringing the fire this July and not just in the kitchen. From $29 lobster feasts and award-winning Asian banque...

What Endo Took and What It Gave Me

From pain to purpose: how one woman turned endometriosis into a movement After years of misdiagnosis, hormone chaos, and major surgery, Jo Barry was done being dismissed. What beg...

Why Parents Must Break the Silence on Money and Start Teaching Financial Skills at Home

Australia’s financial literacy rates are in decline, and our kids are paying the price. Certified Money Coach and Financial Educator Sandra McGuire, who has over 20 years’ exp...

Australia’s Grill’d Transforms Operations with Qlik

Boosting Burgers and Business Clean, connected data powers real-time insights, smarter staffing, and standout customer experiences Sydney, Australia, 14 July 2025 – Qlik®, a g...