The Times Australia
The Times World News

.

Sydney Theatre Company's Julius Caesar is a clear-eyed look at the consequences of failed politics

  • Written by Huw Griffiths, Senior Lecturer in English Literature, University of Sydney
Sydney Theatre Company's Julius Caesar is a clear-eyed look at the consequences of failed politics

Review: Julius Caesar directed by Kip Williams, Sydney Theatre Company

The Roman emperor Julius Caesar has been killed in the capitol, and the conspirators pause to reflect for a moment. Cassius, the main instigator of the assassination, wonders if this tale will be told again in the centuries to come.

“How many ages hence,” he asks, “Shall this lofty scene be acted over / In states unborn and accents yet unknown?”

And Brutus, Caesar’s one-time friend responds, “How many times shall Caesar bleed in sport?”

In other words, will theatres of the future put on shows about this world-changing event?

Kip Williams’ Julius Caesar (for the STC’s wonderfully refurbished Wharf 1 stage) takes this question from Shakespeare’s play and makes it the beating heart of the production.

It is not just that this 21st century Julius Caesar advertises the contemporary relevance of the story. We are also asked to consider just how political stories are told, re-told, and told again.

Geraldine Hakewill, Zahra Newman and Ewen Leslie in Sydney Theatre Company’s Julius Caesar, 2021. Photo: Daniel Boud ©

Modern tyranny and Julius Caesar

When Shakespeare wrote this play in 1599, the ageing Queen Elizabeth I was still on the throne after 41 years. Her reign had descended from an early promise of greater freedom and rational government.

“I would not open windows into men’s souls”, she is believed to have said[1]in an early speech to parliament, indicating a departure from her predecessors who had not held back from persecuting those who did not share their beliefs.

Modern historians have referred to Elizabeth’s early reign as a “monarchical republic”, a cautious blend of consultative government and royal prerogative. But, by the end of the century, the country had descended into a darkly tyrannous period of violence, factionalism and mutual suspicion.

For Shakespeare, the question of whether or not Caesar has become a tyrant is really a question about his own country’s increasingly dangerous politics. As Elizabeth’s death draws near, Shakespeare considers the tolerance of his countrymen for more autocratic forms of government. In 2021, those questions are being asked again.

Zahra Newman in Sydney Theatre Company’s Julius Caesar, 2021. Photo: Daniel Boud ©

‘The evil that men do lives after them’

The set-piece of Williams’ production – and the high-point of Shakespeare’s play – is a speech: Antony’s speech on the death of his friend, Caesar.

Brutus has tried to address the Roman people and explain the conspirators’ actions through reference to noble motives and truth-telling. Anthony knows that truth holds no sway over the public and that emotion will work every time.

For this production, Williams has brilliantly adapted the famous speech into a searing indictment of 20th and 21st century political charlatanism. During the course of the speech, Geraldine Hakewill playing Antony transforms from grieving friend into modern political demagogue.

Putting on her standard-issue white power suit and her Christian Louboutin shoes – like a cross between Julie Bishop and Goebbels – Hakewill’s superb performance of reveals the awful terror that lies at the heart of post-truth, political manipulation.

That Shakespeare turns the fortunes of his play’s characters - and of Rome and the world - on the reception of just one speech is a brilliant piece of writing.

Williams is not shy of a similar focus on the power of words to close debate down as well as open it up. But, if Shakespeare’s London was already at some remove from Rome, then we are now several steps further along the road of political degradation in this production.

Read more: We get there in the end: Return to the Dirt pulls back the curtain on life and death in a funeral home[2]

The consequences of failed politics

Shakespeare wants us to think that Brutus holds on to his nobility in the midst of the mayhem that he helps to unleash. But, to the viewer watching the play in 2021, the conspirators never seem to find a real justification for their actions and the descent into chaos happens at speed.

Ewen Leslie’s Cassius is bitter and damaged, whilst Zahra Newman’s Brutus is less a remnant of past nobility than a naive fool who never had a secure grip on his own motivations.

The three actors play all of the roles in the play, with Williams’ smart use of video fleshing out the narrative. Video also plays an integral part in our consideration of the way that political motivations distorted by the media.

Perhaps not as spectacularly innovative as in last year’s Dorian Gray, Williams’s use of video in this show is nonetheless completely in tune with the production’s focus on failed political discourse.

Zahra Newman and Ewen Leslie in Sydney Theatre Company’s Julius Caesar, 2021. Photo: Daniel Boud ©

But that’s not to say that the physical space of Wharf 1’s new theatre in the round isn’t also put to good use. The three actors bring a manic energy to this dynamic new stage, motoring an already lean (in Shakespeare’s terms) script towards its frightening conclusion at a breakneck speed. Command of the dialogue from all three performers is superb: clear, direct, and artfully controlled.

With its clear-eyed look at the consequences of failed politics, this production of Julius Caesar is both an appropriate, and an extraordinarily well-executed inaugural show for the STC’s new stage.

Read more https://theconversation.com/sydney-theatre-companys-julius-caesar-is-a-clear-eyed-look-at-the-consequences-of-failed-politics-172038

Times Magazine

Building a Strong Online Presence with Katoomba Web Design

Katoomba web design is more than just creating a website that looks good—it’s about building an online presence that reflects your brand, engages your audience, and drives results. For local businesses in the Blue Mountains, a well-designed website a...

September Sunset Polo

International Polo Tour To Bridge Historic Sport, Life-Changing Philanthropy, and Breath-Taking Beauty On Saturday, September 6th, history will be made as the International Polo Tour (IPT), a sports leader headquartered here in South Florida...

5 Ways Microsoft Fabric Simplifies Your Data Analytics Workflow

In today's data-driven world, businesses are constantly seeking ways to streamline their data analytics processes. The sheer volume and complexity of data can be overwhelming, often leading to bottlenecks and inefficiencies. Enter the innovative da...

7 Questions to Ask Before You Sign IT Support Companies in Sydney

Choosing an IT partner can feel like buying an insurance policy you hope you never need. The right choice keeps your team productive, your data safe, and your budget predictable. The wrong choice shows up as slow tickets, surprise bills, and risky sh...

Choosing the Right Legal Aid Lawyer in Sutherland Shire: Key Considerations

Legal aid services play an essential role in ensuring access to justice for all. For people in the Sutherland Shire who may not have the financial means to pay for private legal assistance, legal aid ensures that everyone has access to representa...

Watercolor vs. Oil vs. Digital: Which Medium Fits Your Pet's Personality?

When it comes to immortalizing your pet’s unique personality in art, choosing the right medium is essential. Each artistic medium, whether watercolor, oil, or digital, has distinct qualities that can bring out the spirit of your furry friend in dif...

The Times Features

How much money do you need to be happy? Here’s what the research says

Over the next decade, Elon Musk could become the world’s first trillionaire[1]. The Tesla board recently proposed a US$1 trillion (A$1.5 trillion) compensation plan, if Musk ca...

NSW has a new fashion sector strategy – but a sustainable industry needs a federally legislated response

The New South Wales government recently announced the launch of the NSW Fashion Sector Strategy, 2025–28[1]. The strategy, developed in partnership with the Australian Fashion ...

From Garden to Gift: Why Roses Make the Perfect Present

Think back to the last time you gave or received flowers. Chances are, roses were part of the bunch, or maybe they were the whole bunch.   Roses tend to leave an impression. Even ...

Do I have insomnia? 5 reasons why you might not

Even a single night of sleep trouble can feel distressing and lonely. You toss and turn, stare at the ceiling, and wonder how you’ll cope tomorrow. No wonder many people star...

Wedding Photography Trends You Need to Know (Before You Regret Your Album)

Your wedding album should be a timeless keepsake, not something you cringe at years later. Trends may come and go, but choosing the right wedding photography approach ensures your ...

Can you say no to your doctor using an AI scribe?

Doctors’ offices were once private. But increasingly, artificial intelligence (AI) scribes (also known as digital scribes) are listening in. These tools can record and trans...